The Spectacle of Transnational Cinema
Ryy79 2009, Yojimbo - trailer - HQ, video recording, viewed 6 August 2017, < https://www.youtube.com/watch?v=WzFq5hOlZ5s>.
Movie clips Trailer Vault 2011, A Fistful of Dollars Official Trailer #1 - Clint Eastwood Movie (1964) HD, video recording, viewed 6 August 2017, <https://www.youtube.com/watch?v=-X2DtiE7VLw>.
Om Shanti Om 2007, motion picture, Red Chillies Entertainment, India, F Khan, Director.
Yojimbo 1961, motion picture, Kurosawa Production, Japan, T Tanaka, R Kikushima & A Kurosawa, Producers, A Kurosawa, Director.
Raj ,SJ, Sreekumar, R & Jermadi, F 2016, The Khan Mania: Universal Appeal of Superstar Shahrukh Khan in a Post- globalized Bollywood Era, Salaam Bollywood Representations and interpretations edn, Routledge India, <https://lms.rmit.edu.au/bbcswebdav/pid-8616471-dt-content-rid-20552023_1/courses/COMM1035_1750/Sony%20Jalarajan%20Raj%20-%20Shah%20Rukh%20and%20Bollywood.pdf>.
Desser, D 1992, Reframing Japanese Cinema, Indiana University Press, Bloomington and Indianapolis, <https://lms.rmit.edu.au/bbcswebdav/pid-8616470-dt-content-rid-20511698_1/courses/COMM1035_1750/yojimbo.2%281%29.pdf>.
Kishore, V & Kerrigan, S 2016, Designing the Song and Dance Sequences: Exploring Bollywoods's Cinematic Creativity, Salaam Bollywood Representations and interpretations, Routledge India, <https://lms.rmit.edu.au/bbcswebdav/pid-8616471-dt-content-rid-20512501_1/courses/COMM1035_1750/Designing the Song and Dance Sequences- Exploring Bollywood’s Cinematic Creativity -vikrant-kishore-and-susan-kerrigan(1).pdf>.
Memsaab 2012, Shahrukh Khan As The Reborn Star In Om Shanti Om , image, viewed 6 August 2017, <http://www.memsaab.com/gallery/10-srk-acts-wowed-nation/shahrukh-khan-reborn-star-om-shanti-om>.
Transnationalism & Gender
Lee, V 2007, Into/Out of the Critical Divide: The Indeterminacy of Hero, City University of Hong Kong, viewed 1 September 2017, <https://www.nottingham.ac.uk/scope/documents/2007/october-2007/lee.pdf>.
Zhu, P 2013, Virtuality, Nationalism, and Globalization in Zhang’s Hero, University of Oklahoma, viewed 1 September 2017, < http://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=2227&context=clcweb>.
Elliot, ABR 2015, Return of the Epic Film, Edinburgh University Press, viewed 1 September 2017, <https://books.google.com.au/books?id=KUIkDQAAQBAJ&pg=PA103&lpg=PA103&dq=hero+zhang+yimou+narrative+analysis&source=bl&ots=UrlTzrNnAj&sig=ddA9Uxy-kSrel68FBd8nN5nhSWY&hl=en&sa=X&ved=0ahUKEwjv6sPFlIvWAhVBspQKHRBxDAI4HhDoAQg0MAI#v=onepage&q=hero%20zhang%20yimou%20narrative%20analysis&f=false>.
Hole, KL, Jelaca, D, Kaplan, EA & Petro, P 2016, The Routledge Companion to Cinema & Gender, Routledge, viewed 1 September 2017, <https://books.google.com.au/books?id=bg56DQAAQBAJ&pg=PT63&lpg=PT63&dq=movie+queen+vikas+bahl+about+gender&source=bl&ots=-2RE975LUP&sig=ql1iBv_p6-wDrr238D5e4HAjqvU&hl=en&sa=X&ved=0ahUKEwiS4fCe6ozWAhUKwrwKHT1RCkcQ6AEIYjAJ#v=onepage&q=movie%20queen%20vikas%20bahl%20about%20gender&f=false>.
Alam, N 2017, “Queen”: Versatileness and Self-discovery of Woman, Research Journal of English Language and Literature, viewed 1 September 2017, <https://www.rjelal.com/5.1.17a/348-353%20NIGAR%20ALAM.pdf>.
Anime Cinema - Gangster Genre
Osmond, A., 2008. Spirited away = Sen to Chihiro no kamikakushi, London, England: British Film Institute.
Macwilliams, M.W., 2008. Japanese visual culture : explorations in the world of manga and anime, Armonk, N.Y.: M.E. Sharpe.
Gordenker, A 2013, ‘White gloves’, Japantimes, 19 March, viewed 24 September 2017, <https://www.japantimes.co.jp/news/2013/03/19/reference/white-gloves/#.WcuA5MgjFnI>.
Swale, A., 2015. Miyazaki Hayao and the Aesthetics of Imagination: Nostalgia and Memory in Spirited Away. Asian Studies Review, 39(3), pp.413–429.
Taylor-Jones, K.E., 2013. Rising sun, divided land : Japanese and South Korean filmmakers, London: Wallflower Press.
Phillips, Alastair & Stringer, Julian., 2007. Japanese Cinema Texts and Contexts, Hoboken: Taylor & Francis.
Davis, D.W., 2001. Reigniting Japanese Tradition with Hana-Bi. Cinema Journal, 40(4), pp.55–80.
Gangster Genre - Horror Genre
Mazumdar, Ranjani. 2007. Gangland Bombay. Bombay Cinema – An Archive of the City. Permanent Black. 149-96
Creekmur, C & Sidel, M 2007, Cinema, Law, and the State in Asia, illustrated edn, Springer, viewed 16 October 2017, Google Books.
Reddy, V. & Varma, Ram, 2011. Ram Gopal Varma, Bombay, and globalization. Asian Cinema, xxii(2), pp.160–177.
Ahmed, O 2015, Studying Indian Cinema, Columbia University Press, viewed 16 October 2017, Google Books.
Gomes, C, 2011. Maid-in-Singapore: representing and consuming foreign domestic workers in Singapore cinema.
Tudor, Andrew. “Why horror? The peculiar pleasures of a popular genre.” In Horror: The Film Reader, edited by Mark Jancovich, 47-55. London: Routledge, 2002.
Understanding Korean Popular Culture
Kim, Y 2013, The Korean Wave: Korean Media Go Global. Internationalizing Media Studies, Routledge, viewed 20 October 2017, Google Books.
Lee, EJ, Park DS & Yeon, J 2004, Integrated Korean : Advanced 1. Volume 7 of Integrated Korean Series. Part 1 of Integrated Korean: Advanced KLEAR textbooks in Korean language. Illustrated edn, University of Hawaii Press, viewed 20 October 2017, Google Books.
Lent, JA & Fitzsimmons, L 2013, Asian Popular Culture in Transition. Routledge Contemporary Asia Series, Routledge, viewed 20 October 2017, Google Books.
Le, H., 2008. Economic Reforms, Cultural Policy: Opportunities and Challenges to the Arts and Culture in Vietnam in the Age of Globalization. Journal of Arts Management, Law, and Society, 38(1), pp.5–17.
Vu, H. & Lee, T.-T., 2013. Soap Operas as a Matchmaker: A Cultivation Analysis of the Effects of South Korean TV Dramas on Vietnamese Women's Marital Intentions. Journalism & Mass Communication Quarterly, 90(2), pp.308–330.
Ryoo, W., 2009. Globalization, or the logic of cultural hybridization: the case of the Korean wave. Asian Journal of Communication, 19(2), pp.137–151.
Thomas, M., 2002. Re-Orientations: East Asian Popular Cultures in Contemporary Vietnam. Asian Studies Review, 26(2), pp.189–204.
Zhang, W. & Mao, C., 2013. Fan activism sustained and challenged: participatory culture in Chinese online translation communities. Chinese Journal of Communication, 6(1), pp.45–61.
Zheng, X., 2011. Complicated Currents: Media Flows, Soft Power, and East Asia. The Journal of Asian Studies, 70(2), pp.501–502.
Doraemon Goes Abroad
Adhikary, RS 2015, Impact of Japanese Cartoons on Primary School Going Children: With special reference to Doraemon, IOSR Journal of Humanities And Social Science, viewed 27 August 2017, <http://www.iosrjournals.org/iosr-jhss/papers/Vol20-issue6/Version-5/A020650109.pdf>.
Allison, A 2003, Portable monster and commodity cuteness: Pokemon as Japan’s new global power, Routledge, viewed 27 August 2017, <http://web.mit.edu/condry/Public/cooljapan/Feb23-2006/Allison-03-Postcol-Portble.pdf>.
Cooper-chen, A 2010, Cartoon Cultures: The Globalization of Japanese Popular Media, illustrated edn, Peter Lang, viewed 27 August 2017, <https://books.google.com.au/books?id=duL8WZh9xjQC&pg=PA85&lpg=PA85&dq=the+export+of+doraemon+to+the+west&source=bl&ots=Tlj8hLM3sS&sig=z_7G4CL5MNCwUlfhwSnDnvrWdTA&hl=en&sa=X&ved=0ahUKEwi2obuYqvXVAhWCKpQKHTa5D5AQ6AEIXjAQ#v=onepage&q=the%20export%20of%20doraemon%20to%20the%20west&f=false>.
Craig, TJ 2015, Japan Pop: Inside the World of Japanese Popular Culture, Routledge, viewed 27 August 2017, <https://books.google.com.au/books?id=ZWXxBwAAQBAJ&pg=PT334&lpg=PT334&dq=the+popularity+of+doraemon&source=bl&ots=49iqiSeojO&sig=tr9XX5lyErOcwiLRoSJOwOulVNY&hl=en&sa=X&ved=0ahUKEwitu6XmgvLVAhXIxLwKHQZKC6A4ChDoAQg-MAQ#v=onepage&q=the%20popularity%20of%20doraemon&f=false>.
Esser, A, Smith, IR & Bernal-Merino, MA 2016, Media Across Borders: Localising TV, Film and Video Games, illustrated edn, Routledge, viewed 27 August 2017, <https://books.google.com.au/books?id=20R-CwAAQBAJ&pg=PA78&lpg=PA78&dq=airing+doraemon+in+the+West&source=bl&ots=e07IFwBvQM&sig=9FTA-DP3SuWzKm4Dgec4f7-XCbo&hl=en&sa=X&ved=0ahUKEwinl6ObsfXVAhUFNJQKHa0oDFQ4FBDoAQg3MAQ#v=onepage&q=airing%20doraemon%20in%20the%20West&f=false>.
Iwabuchi, K 2002, Recentering Globalization: Popular culture and Japanses Transnationalism, illustrated edn, Duke University Press, viewed 27 August 2017, <https://books.google.com.au/books?id=k8ot27vLSV4C&pg=PA1&lpg=PA1&dq=globalization+of+doraemon&source=bl&ots=Re9CwRse1q&sig=iQGrBXWsEuuHfSD4iv0z7bYhsP0&hl=en&sa=X&ved=0ahUKEwiNwbmw6PLVAhWMTLwKHR-vC8sQ6AEIQDAJ#v=onepage&q=globalization%20of%20doraemon&f=false>.
Lim, TW, Lim, WX, Ping, X & Tseng, H 2016, Globalization, Consumption and Popular Culture in East Asia, World Scientific, viewed 27 August 2017, <https://books.google.com.au/books?id=cVAtDQAAQBAJ&pg=PA45&lpg=PA45&dq=globalization+of+doraemon&source=bl&ots=CBKKPf4OLC&sig=rW9WLk-07OOS0k0YwGVlco-yG34&hl=en&sa=X&ved=0ahUKEwiNwbmw6PLVAhWMTLwKHR-vC8sQ6AEIOzAI#v=onepage&q=globalization%20of%20doraemon&f=false>.
McCurry, J 2015, ‘Japanese robot cat Doraemon helps ease diplomatic tensions with China’, theguardian, 3 June, viewed 27 August 2017, <https://www.theguardian.com/world/2015/jun/03/japanese-robot-cat-doraemon-eases-diplomatic-tensions-with-china#img-1>.
Storey, J 2009, Cultural Theory and Popular Culture, 5th edn, University of Sunderland, viewed 27 August 2017, <https://uniteyouthdublin.files.wordpress.com/2015/01/john_storey_cultural_theory_and_popular_culturebookzz-org.pdf>.
Tsutsui, WM 2010, Japanese Popular Culture and Globalization, Association for Asian Studies, viewed 27 August 2017, <http://www.ucis.pitt.edu/ncta/pdfiles/2013CourseMaterials/JapanesePopularCulture.pdf>.
Widarahesty, Y & Pradipta, D 2016, The Phenomenom of Globalization Practices of Japanese Popular Culture in Indonesia, The Asian Conference on Cultural Studies, viewed 27 August 2017, <http://papers.iafor.org/papers/accs2016/ACCS2016_24628.pdf>.